Topic: David Osborn takes a rare approach to beautiful photography.

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My name is David Osborne and I always want to do 'something' about art after school. So I spent my first year in art college to study fine arts. But when combined with drawing can't be done. Fine Arts also seem to be optimistic and risky in their careers. The image of a starving artist has never been tempting. Studying graphic design was something I had to compromise on.

But spending weeks working on a project behind a desk is too slow. I'm an impatient person, so I spend my time photographing stories. Shooting results are more instantaneous. while going out to live with real people This developed into the need for professional photojournalism.

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Who is your most influential photographer? How do these affect who you are and how do you create them?

Originally a photographer like Bert Hardy, who created photography stories for Picture Post magazine and who I met during a photography lecture. But when I started working on the news Learn from older photographers at Reuters in London, who specialize in "photography" by telling a story in a single frame. When I finally moved to work for a company.

It was more of a photograph than the photographer that inspired me. Try to reverse engineer beautiful annual report images, lighting, composition. Storytelling: Advertising photographers Eric Almas and Tom Nagy are currently involved in Photoshop and digital retouching. They saw how they used photography and digital retouching to create images that were modern but not expressive. They showed me that digital retouching has great creative potential to create fine art.

Re: David Osborn takes a rare approach to beautiful photography.

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